Saturday, August 13, 2011

Check out Who Are Touing Together: Debbie Gibson and Tiffany


These two are on the road together.  Is it wrong that I own these two records...?  From the Gannett News Service...NEW YORK — The two biggest female teen-pop stars of the 1980s are on tour together.  Gibson, now 40, recalls listening to Tiffany’s breakthrough single, a chart-topping 1987 cover of “I Think We’re Alone Now,” “every time I was on a plane, during takeoff, because it’s so driving. My sister and I had a Walkman, and we each had headphones, and we’d listen together.”  And Gibson’s 1988 ballad “Lost In Your Eyes,” another No. 1 hit, “is one of my favorite songs,” coos Tiffany, 39.  “Aw, thank you,” Gibson says. “See? It’s been mutual admiration, always.”  Speaking in a rehearsal studio days before launching Journey Through the ’80s — which wraps at Chicago’s House of Blues Aug. 13 — Gibson and Tiffany present a study in complementary contrasts.  Tiffany, now pursuing a career in country music, is sporty in a jersey shirt and acid-wash jeans. Gibson, who spent much of her 20s and 30s performing in musical theater, looks pertly elegant in a long-sleeved mini-dress.

The two initially joined forces for the cheeky horror flick “Mega Python vs. Gatoroid,” which aired on Syfy earlier this year. “I thought it would be something our fans would love,” Tiffany says. “But people had really always expected us to do something musically.”  Gibson notes: “We’re very different artists, with totally different influences. But that’s why this show is so cool.”  As its title suggests, the tour is, in Gibson’s words, “unashamedly about the ’80s,” and each singer offers her own hits and personal favorites. (They also perform together.)  Gibson is “incorporating lots of straight-up pop, like Michael Jackson and Madonna,” in addition to a medley of show tunes. “Tiffany suggested that, since Broadway influenced me greatly.”  Tiffany plans to include selections by Stevie Nicks, Guns N’ Roses and John Mellencamp. “And Joan Jett, because when I was 12, before I got a record deal, I used to sit on my lawn and listen to ‘I Love Rock & Roll’ and think, ‘One day, I’m going to get out of this town.’”  In their private lives, too, the women have pursued disparate paths.  Tiffany is now in her second marriage — “I’ve lived country music,” she quips — and has a 19-year-old son, a college sophomore studying to be a civil engineer. Gibson has never married, though she has been with her current boyfriend, a doctor specializing in preventive medicine, for 3½ years.

“I’m just now learning how to integrate a real relationship into my career,” Gibson says, adding, “There are a lot of successful but lonely women in theater, and that’s where I spent the better part of 17 years, between the ages of 21 and 38. When you do eight shows a week, you don’t have time for much else.”  Both consider themselves lucky survivors of early stardom.  Gibson observes that in their heyday, “teen stars weren’t as big as they are now. We weren’t up for Grammys, like Justin Bieber was. With us, it was, ‘Oh, they don’t really count.’ Now they have whole award shows for teens.”  Tiffany figures that she and Gibson may have retained their sanity through the years “because we’re songwriters. For me, songwriting has been like therapy. It’s kept me out of therapy.”  Gibson laughs. “I’m in therapy, and I write songs.” She’s working on an album of original material and will release a single on iTunes, “Rise,” later this year.  Tiffany is promoting her own new album, “Rose Tattoo,” and writing a book that she hopes to publish next year.  “It’s about my life, and how to survive in the music business.”  Her advice for today’s young aspirants?  You need to learn to be your own best friend, as stupid as that sounds,” Tiffany says. “I think Debbie and I are success stories, because we’ve shown that you can be a teen artist and still have a life. We’re positive role models in that sense.”

Friday, August 12, 2011

Wang Chung - Hypnotized Me somewhat back in the Eighties


These photos on not out of focus.  That is the way the images appear on the album covers.  Wang Chung - Mosaic.  In the New Wave period of music that I lived through, formerly known as Hell, I veered over to Wang Chung briefly - and far more so Simple Minds - instead of The Police. The Outfield and the Thompson Twins I also liked very much.  So what were Wang Chung? They are an English New Wave musical group. They had their greatest quote unquote success in America, with five Top 40 hits in the US, charting from 1983 to 1987. Those are a foggy few years for me. Out of college, working, single - living with college pals. And going to Uppitties - a tavern in Berwyn, IL. May it RIP. Here are the songs we knew but I never cared for: "Dance Hall Days" (#16 In the summer of 1984), "Everybody Have Fun Tonight" (#2 in 1986) and "Let's Go!" (#9 in 1987). But the song of their that got to me is called Hypnotize Me. To me - it was their best effort. I also forgot that they first called themselves Huang Chung. After this - work your way over to Simple Minds.  As a post script, the great Peter Wolf produced the above album.  Below is another WG record I own.  You would know Dance Hall Days on it.

Thursday, August 11, 2011

Billy Paul: Got My Head On Straight; but where is the infamous Mrs. Jones?

This is Billy Paul's Got My Head On Straight.  I bought it based on two names on the back of the record jacket: "K. Gamble and L. Huff."  But I learned later (but I should have known) that Billy Paul had the classic hit Me and Mrs. Jones.  "Me and Mrs. Jones" - it was a number one single, recorded and released in 1972 on CBS's Epic label.  The single was on his album called 360 Degrees of Billy Paul, and was written by Kenny Gamble and Leon Huff.  It was Paul's only number-one single.  As I wrote earlier this week - give me anything by Gamble & Huff.  You can add them to Rodgers-Edwards, Goffin and King, Bacharach-David, Lerner and Loewe, Rodgers and Hart, Rodgers and Hammerstein, and Bernstein & Sondheim.  OK, that's a bit too extreme, but you get the idea.  They are Kenneth Gamble and and Leon A. Huff  - a famous (to me) killer songwriting and record production team who wrote and produced over 170 gold and platinum records.  They are considered founding pioneers of the Philadelphia sound (which I prefer to Motown) and are/were the in-house creative team for the the Philadelphia International record label.  In 2008 they were inducted into the RNR HOF.

Wednesday, August 10, 2011

Harold Melvin and the Blue Notes


Harold Melvin and the Blue Notes.  Try this one on for size - the song is called The Love I Lost.  I bagged these two records yesterday at Half Priced Books.  A shame - just fifty cents each.  When I buy records for that price, I feel like I am rescuing the album in some small way - as a curator of this art form.  These two records are Reaching for the World, on the left - and the live record - called Black & Blue, Featuring: The Love I Lost.  And again you guys, please know that Gamble and Huff are my Lennon & McCartney, my Jagger/Richards, .  I cannot say enough great things about this extremely talented song-writing and record-making duo.  Suffice it to say, they are in the RNR HOF, and one of my new (old) favorite songs at the moment is called The Love I Lost.  I captures the funky Philly groove of that era perfectly.  The nice background guitar work, bright horns, harmony background vocals, that hot rhythm, and a catchy chorus, and deep lead vocals.  And just a smokingly great beat.


Yes, Teddy Pendergrass is on this album, who we so sadly lost last year.  Theodore DeReese "Teddy" Pendergrass (March 26, 1950 – January 13, 2010) was an American r and b singer and songwriter.  Pendergrass rose to fame as lead singer of Harold Melvin & the Blue Notes in the 1970s, before he started a very successful solo career at the end of the decade.  Sadly, in 1982, he was severely injured in an auto accident in Philadelphia, resulting in his being paralyzed. After his injury, the affable entertainer founded the Teddy Pendergrass Alliance, a foundation that helps those with spinal cord injuries.  Pendergrass commemorated 25 years of living after his spinal cord injury with star filled event, Teddy 25 - A Celebration of Life at Philadelphia's Kimmel Center.  His last performance was on a PBS special at Atlantic City's Borgata Casino in November 2008.

Tuesday, August 9, 2011

More on Paul McCartney, as he Wings his way across America


Paul McCartney and Wings, the live Wings Over America - a great TLA (Triple Live Album).  It was supposed to be a DLA, but I read that a bootleg started to go around, and Paul decided he might as well add a 3rd record to the package.  I have spoken to some people who attended Paul's shows in Chicago last week.  All have said how truly fantastic the concerts were.  And I read the reviews, scanned the set lists from both nights, and sort of wished I had gone.  Yes - it's fun to read the set lists after the shows.  A missing gem omitted from his bulked up tiara of jewels to draw from - would be a song called Beware My Love.  The studio version is on Wings at the Speed of Sound - and it's on side 5 of Wings Over America.  I bet it was considered, maybe even played in other cities on the tour.  It builds with a very soft touch of lone acoustic guitar and church-like choral vocals.  Then the plaintive storm builds with those three titular words, over and over - but they don't get old.  Paul cries out "no no no...he must be wrong."  I bet Paul's drummer Abe Loriel, Jr. would love hammering this one out of the park. Try this one here: http://www.youtube.com/watch?v=D-i3bs9pAyc&feature=related

Monday, August 8, 2011

Johnny Winter. His quartet played at Woodstock - with brother Edgar


We are in the month of August - and that always make me think of Woodstock.  Johnny Winter.  This is a significant record.  I've merged the front and back covers into one photo, above.  The small head shot photos in the lower left hand corner are of Tommy Shannon and "Uncle" John Turner.  And in the upper right - we see an image of the majestic Willie Dixon, and below him - Walter "Shakey" Horton.   It was this record that got him invited to play at Woodstock.  Yes - Johnny Winter, with just a (this) single record out on the market - was asked to play at Woodstock.  With myriad delays and scheduling snafus mostly from the uncooperative weather, his set began around midnight on Sunday – when the show was supposed to come to an end.  But as we know – acts played on into the bright full morning of Monday.  His quartet included, as it does on this record, his brother  Edgar Winter - keyboards, alto saxophone, vocals.  The great Tommy Shannon on bass.  And “Uncle" John Turner on drums.  According to most reports, their setlst at Woodstock was Mama, Talk to Your Daughter, Leland Mississippi Blues, Mean Town Blues, You Done Lost Your Good Thing Now, Mean Mistreater, I Can't Stand It (with Edgar Winter), Tobacco Road (with Edgar Winter), Tell the Truth (with Edgar Winter), and Johnny B. Goode.

Sunday, August 7, 2011

the Michael Stanley Band - according to Music Mike


I knew nothing about the Michael Stanley Band - so I went to youtube and just typed in Michael Stanley Band and the first song by that band that popped up was in a post by a guy I "know" (only on the Internet) called MusicMike2:  http://www.youtube.com/user/MusicMike2  Music Mike is a really cool guy and pop music expert.  To listen to more about what he does - click on his intro video to his youtube channel here: http://www.youtube.com/watch?v=vCtuzRDG2eo  Mike's song posts and informative, well-made, and fun to watch.  Back to the MSB:  http://www.youtube.com/watch?v=G50CZ5lw2CQ&feature=related  What a fun band these guys are - pure, unadultered, sugary Eighties music at it's finest.  You may have heard their hit called He Can't Love You - from the album I know own - above right photo, called Heartland.  The Michael Stanley Band was formed by Stanley in 1974 with singer-songwriter–lead guitarist Jonah Koslen, former Glass Harp bassist Daniel Pecchio and drummer Tommy Dobeck.  There were several personnel changes over the years and by 1982 the group had evolved into a seven-piece band.  Nicknamed MSB by their fans, the band set several attendance records at Cleveland area venues including a record 20,320 at the Coliseum at Richfield on July 20, 1979[2] and a record 40,529 for two Coliseum concerts on December 31, 1981 and January 1, 1982. The band's greatest achievement was a total attendance of 74,404 during a four-night stand at Blossom Music Center on August 25, 26, 30 and 31, 1982.  The group reached the peak of their popularity nationally in 1981 when the single "He Can't Love You" from the album Heartland (written and sung by keboardist Kevin Raleigh) made the Top 40 (#33 Billboard, #27 Cash Box) and "In the Heartland" from the album North Coast went to #6 on Billboard's Top Tracks chart.  The band called it quits in 1986 with a series of twelve farewell shows at the Front Row Theatre during the 1986–87 holiday season. Since then, Stanley has performed regularly throughout Northeast Ohio with former members of MSB and with his latest band, The Resonators.